A roundtable with the team behind Design Everything for their new exhibition at Aram: a fictional flat filled with objects created through the limitations on new designers’ work.

Adam Nathaniel Furman, an artist and designer, joins the show to discuss the history of colour in architecture and the challenges of viral design.

Es Devlin’s art direction for the fourth edition of the Homo Faber biennale explores the potential for stagecraft and physical proximity to shape appreciation of craft.

Tanaka Eyewear’s new glasses are made from compressed paper composite, and embrace impermanence by allowing the material to develop a patina and using gold to repair dents or chips.

In Disegno #38, Darran Anderson travels to architect Erich Mendelsohn’s first building in Poland and reflects on desecrated gravesites around the world.

Nosou’s new lamp 0º was designed and produced in rural Japan to support craftsmanship and manufacturing outside of the country’s urban centres.

In Disegno #39, Disegno’s editor-in-chief Oli Stratford tours Mudac’s preppers exhibition and contemplates the movement’s critique of consumerism.